About the Art
An interpretation by Kyoun Sokuzan based on a small detail of a head-shaving ceremony for monks in this 13th-14th century Chinese Buddhist wall painting (dry fresco) on clay and straw substrate painted by Zhu Haogu, “The Paradise of Maitreya” was originally housed in the Xinghua Si Buddhist Temple of Xiaoning, Shanxi, China. In the 1920s and 1930s, the wall painting was disassembled and moved to the Royal Ontario Museum (ROM) of Toronto, Canada, where it remains today.
This limited edition of 108 signed and numbered giclée prints, “The Paradise of Maitreya,” is from an original watercolor by Kyoun Sokuzan shown full size 30” x 40” on the wall behind him. Sokuzan holds one of the 18” x 24” available prints.
229.7# Epson cold press, acid-free, archival paper
20-1/8” x 25-1/4”
$250.00 (unmatted and unframed)
Domestic Shipping, Handling, & Insurance:
By check mailed to SokukoJi Buddhist Monastery, 33 Anderson Ct., Battle Creek, MI 49017 or send payment using PayPal to firstname.lastname@example.org with the notation “Paradise” in the subject line.
About the Artist
Kyoun Sokuzan, Soto Zen Buddhist monk and abbot of SokukoJi Buddhist Monastery in Battle Creek, Michigan, was a draftsman and illustrator in the US Marine Corps from 1959-1963. During the last year of his military service, Sokuzan began his fine arts studies at the School of the Corcoran Gallery in Washington, D.C., studying under Alexander Russo with focus on human figure drawing. Following his military service, Sokuzan attended the School of the Art Institute of Chicago where he majored in painting and sculpture.
Besides watercolor, Sokuzan explored a variety of visual mediums throughout his art career including wood carving, scrimshaw (miniature ivory engraving), brush and ink calligraphy. From 1980 to 2003, he made his living as a sign painter and designer.
Since the early 2000s, Sokuzan has taught Opening The Eye Mind™, a training seminar he developed over the years for appreciating visual arts. Through exercises that combine the traditional practice of sitting meditation awareness practice with specific visual techniques that highlights aspects of visual consciousness hitherto ignored—such as balance and the innate codependency of apparent separations—the observer learns to prioritize visual awareness over the judging, evaluating mind.
A Fundraiser for the SokukoJi Buddhist Monastery Gompa
Proceeds from the sale of the “Paradise of Maitreya” prints will help fund the remodeling of the space for a Gompa as well as support ongoing work of the monastery. As many of you know, in addition to studying with his Zen master, Kobun Chino Roshi, Sokuzan also studied under Chögyam Trungpa Rinpoche and Sakyong Mipham Rinpoche in the Karma Kagyu and Shambhala Buddhist paths. The Gompa, located on the top floor of the monastery, will house shrines, thangkas, and space to support those who are practicing forms of these paths, i.e., Chenrezig, Vajrasattva, Kagyu ngöndro, Rigden/Werma Sadhana.